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SPOTLIGHT
ON THE ARTS - January 2001 by Deanna Mascle Following the Beat
of a Different Drummer
The path that led Schott to this unique artistic career began at Murray State University, where he earned his bachelors degree in studio art in 1997. His personal artistic style was heavily influenced by classes in ceramics, wood sculpting, painting and drawing. The skills he learned then still provide the basis for his work today. After graduation, he also learned the techniques of glass blowing and sand cast molding. While following a traditional student path, Schott would also learn something very important during his college days the fact he is not a traditional artist. The form that his art would take arose from a very practical reason during those same college days. He enjoyed hanging out with some new friends who drummed and played various musical instruments. Schott wanted to jam with his new friends, but there was just one problem he couldnt afford to buy any instruments and so he did what any resourceful artist would do. I created my own out of hollow logs and bamboo, he says. Learning from many instructors, I was able to combine new skills to re-invent old instruments. One thing led to another, and pretty soon, everyone who saw my hand-crafted instruments wanted one for themselves or as a gift for someone else. And the rest is artistic history. Today, Schott works out of his own studio in Shelbyville and markets his work through various state, regional and national festivals as well as through his web site at http://www.drumzrguruven.com. He is also a member of the Kentucky Crafted Program and the Kentucky Gourd Society. He regularly attends the Prospect Arts Fair and the Gourd Festival in Taylorsville where he also teaches a workshop. He makes a variety of handmade tribal instruments such as doumbeks, didjiridoos, ceramic and gourd drums, pottery and wood tone boxes, and rainsticks. If you have ever wanted a three-headed ceramic drum, but just didnt know where you could find one then youll definitely want to find out more about Schotts creations. I enjoy creating the instruments, playing them, and being able to share them, he says. I am drawn to this art form because of its interactive qualities. It combines sound, touch, vision and a communal experience. In fact, the word experience may well sum up Schotts artwork, because his instruments are more than music-makers. They are also objects of beauty that can be appreciated by the eye as well as for the music they create. That may well be the secret to their broad appeal. Although his original audience started with college students, Schott has found that people of all ages are interested in his unique art form. I see anybody from age three to 103 as my audience. Because his instruments are made using such a variety of art forms and materials, Schotts Shelbyville studio is more of a complex than a single central location. While there is a central building that he calls his studio, he conducts his bamboo and gourd work in a collection of outbuildings; creates his ceramics in a basement studio that contains a pottery wheel, glazing bench, gas kiln, and two electric kilns; and finally stores his inventory in a barn. However, the studio complex serves as home base for his business, Drumzrguruven, as well as his other artistic passions which include watercolor, photography, and fine pottery. And while his college
interest in music fueled his artistic revolution and the
creation of his instrument-making business, Schott
hasnt forgotten where it all started. He still
enjoys getting together with his musical friends to play
but just for fun. Deanna Mascle is a
staff writer for The Lane Report. Back to Spotlight on the Arts Index
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